It works by automatically bouncing to a local cache location when pointing the Bounce Mix window to a network volume. It is also useful if a system does not have a renderer connected, and the mix needs to be monitored for non-mission-critical tasks.įaster ADM Bounces to Network Storage - A new preference has been added, called “Use Local Cache When Bouncing to Network Volume.” This significantly increases the speed of the bounce process in certain circumstances. This is useful if you require a rough headphone mix for editorial while the main mix is fed through a renderer. There is also an option for mono.īed/Object Fold Down - Beds are now included in the fold-down path making it easier to monitor a rough mix when a Dolby Atmos renderer is not available.Īlways Fold Down - You can now choose to always enable the channel-based fold-down path for a Dolby Atmos mix. This can be done by selecting “Use Dolby Atmos Renderer (Stereo)” in the I/O Setup bus tab, and then clicking the default button. There has been a number of Dolby Atmos workflow related changes made to Pro Tools 2021.3 including…Įasier Setup of Stereo Objects - It’s now possible to automatically create stereo mapped objects based on the connected renderer input configuration. Other changes were made to improve overall visibility and usability across the entire application. Changes have been made to the various clip states and edit selection treatment so that they are easier to tell apart. Dark Theme Improvementsīased on your feedback, Avid has made numerous improvements to the Dark theme introduced in Pro Tools 2020.11. It can be found in the Window menu or opened using the shortcut, Shift+K. Thank you, and I'm prepared to be flamed for restarting an old topic, but none of the others seemed to move towards a solution.A new MIDI Keyboard window has been added in Pro Tools 2021.3, which enables you to play MIDI notes from your computer keyboard. Anyone know of any such solutions on the horizon? I'm striking out on the web. For the longtime pro tools users, we really need a conversion utility that will convert a pro tools 6-era file to something that can be opened by pro tools 12. Sadly, a lot of sessions i was involved in as a pro landed this way so audio files don't line up.Ģ. These sessions are completely worthless if they weren't properly saved as a copy at the end of all work due to varying audio file start/stop times and lengths.
BEST PRACTICES PRO TOOLS MAC OS X SOFTWARE
it is absolutely ridiculous to remove save/session file compatibility from a software solution - what do they think will happen with all of the pro tools files down the line that need remastering/rerelease? At least in the old days, you could more reliably find a tape deck that could play back the reel-to-reel used for recording. I have several sessions in Pro Tools 6.x format (PTS) and can do nothing with them now that i've upgraded my hardware, software, and replaced my ancient G5/Pro Tools 7 with a Mac Pro and Pro Tools 12.ġ.
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I am a former professional studio musician, songwriter, and touring musician, now hobbyist (and a professional software engineer in my post-music-industry life), and have used Pro Tools since 1998.
I apologize, there are a number of threads related to this, but they all seem to have died and aren't quite hitting the salient points.
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